Director(s): Kieran Turner
Running Time: 107 mins
Recommended? While this documentary has its problems regarding its construction, the power of listening and watching Jobriath perform is breath taking.
There’s something unexplainable about Kieran Turner’s Jobraith A.D., a docu-bio dedicated to the unsung and tragic praise for Jobriath Salisbury’s glittering genius. Sitting in aged dressing rooms and fore grounded by vanity mirrors, Jobraith A.D. collects the opinions of Los Angeles and New York’s oldest stage performers, family, and friends to tell this peculiar story of a man whose reputation as the gay messiah of the music industry follows 30 years after his death.
Turner delivers a curious surplus of testimony and praise for Jobriath, the first openly gay musician signed to a major record label. But as Jobriath’s sleazy and often incompressible manager Jerry Brandt makes grand claims (saying that Jobriath got more attention than any other artist in the history of the business) the astounding praise for the first true performance artist is at time wacky and Zoolander-esque.
Still, confronted with images and sounds of Salisbury’s raw talent, we cannot deny the flare of this trendsetter whose career stayed in the shadow of glam rock king David Bowie, and suffered because of the sad fact that audiences were not ready to submit to an openly gay man’s charms. Part of Inside Out’s Icon documentary series, Jobriath A.D. is a bedazzled account and celebration of a man whose grand talent and musical genius will leave you haunted.
Director(s): Dominique Cardona, Laurie Colbert
Running Time: 90 mins
Recommended? Yes, not strongly
Directed by Dominique Cardona and Laurie Colbert, and written by Colbert and Margaret Webb-it’s fair to say that that Margarita certainly has a ladies touch. We’re introduced to Margarita (Nicola Correia Damude), who is a live-in house keeper (and so much more) for an upper middle class family.
Margarita is pretty much the super nanny you would die for: she cooks, she cleans, she even repairs the roof and Damude is well casted as this strong and honourable hard working woman. Although Margarita is light fun, the film often finds itself pushing boundaries. An unofficial Canadian citizen, Margartia is threatened by deportation which as a result raises issues about Margarita’s ability to practice her sexual orientation and because of this Margarita is deals with the tough realities this house keeper/ immigrant/ lesbian extraordinaire unique situation affords.
When the financially affluent, but emotionally devoid, couple who used to employ Margarita are forced to take up house hold duties themselves, they come to find that the biggest chore they have neglected is their teen aged daughter Mali (Maya Ritter), who has relied upon Margarita as role model. Shot in Toronto, Margaritais an easy going, yet conscious expose of a queer immigrant’s perspective.